Born in Hong Kong and immigrated to Canada early on. I returned to Hong Kong in 2014, and experienced the 2019 anti-extradition law protests. It was then that I developed a strong recognition of being a “Hongkonger”. Now being back in Canada, I am hoping to use my creativity to continue the fight for freedom and democracy.

The 2019 protests had connected me to art. Yet for many protest artists in the new Hong Kong, their creativity has been silenced by the government. Since these artists are restrained from exercising creative freedom, perhaps I can learn to draw and continue their mission.

Rockfroggers is about the fight against tyranny in a fantasy
world. As some people are transformed into demons by greed and corruption, the world becomes dark and gloomy. However, what would you do if given the
chance to travel back in 2019? What does a dystopian 2029 look like? I hope by
exploring different topics, I may discover answers during my creative process
with the diverse perspectives from each character, timeline and world setting.

生於香港,兒時移⺠加國。2014 回流,經歷2019 社運,因而覺醒「香港人」身份。 2022 再回流加國。但係未忘初衷承諾,因此學習畫畫,祈望用漫畫嘅創作空間繼續為⺠主、自由及人權發聲。

社運期間明白到喺絕望嘅時候藝術可以感動靈魂。⺠宣手足喺新香港生活已失去創作自由。手足唔可以再為香港畫畫發聲,我就決定攞起枝筆代佢哋畫落去。延續佢哋嘅使命。

「石蛙島人」講嘅係一班人合力對抗極權、追求⺠主自由。後來,佢哋發現喺
極權感染下某啲人化身成為惡魔。世界變得又可怕又黑暗。但係如果有機會畀你
返返去2019年,你會點? 2029年嘅世界又可以變得幾黑暗? 我希望能夠喺創作
途中,以唔同嘅角色、時間點、世界設定低下搵到答案。